Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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George Frederick watts,O.M.,R.A.
Portrait of Lady Wolverton,nee Georgiana Tufnell,half length,earing a red dress (mk37)

ID: 25416

George Frederick watts,O.M.,R.A. Portrait of Lady Wolverton,nee Georgiana Tufnell,half length,earing a red dress (mk37)
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George Frederick watts,O.M.,R.A. Portrait of Lady Wolverton,nee Georgiana Tufnell,half length,earing a red dress (mk37)


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George Frederick watts,O.M.,R.A.

1817-1904 English painter and sculptor. He studied at the Royal Academy and in Italy, where he developed an enthusiasm for Renaissance painting and Greek sculpture that greatly influenced his work. He executed several decorative commissions, including his large fresco Justice (Lincoln's Inn, London), modeled after Raphael's School of Athens. Many of his allegorical pictures are in the Tate Gallery, London. The National Portrait Gallery, London, contains a large collection of his portraits of eminent contemporaries. The Metropolitan Museum has his Ariadne in Naxos.  Related Paintings of George Frederick watts,O.M.,R.A. :. | The Forest | Self-Portrait | The Artist in his Museum | Portrait of Duke Frederico da Montefello and Battista Sfozza | The Apotheosis of Homer (mk04) |
Related Artists:
emile-Rene Menard
(1861 - 1930) was a French painter born in Paris. From early childhood he was immersed in an artistic environment: Corot, Millet and the Barbizon painters frequented his family home, familiarizing him thus with both landscape and antique subjects. Menard studied at the Academy Jullian from 1880 after having been a student of Baudry, Bouguereau, and Henri Lehmann. He participated in the Salon of the Secession in Munich, and the Salon de la Libre Esthetique in Brussels during 1897. Several personal exhibitions were also devoted to him at the Georges Small Gallery. In 1921 he exhibited in the Twelfth Salon along with Henri Martin and Edmond Aman-Jean. Galleries in Buffalo, New York and Boston, Massachusetts exposed Menard and his art to the United States. However, the numerous commissions that Menard received from the French government crowned his career; for example, the cycle for the Hautes Etudes e la Sorbonne, the Faculte de Droit, and the fresco Atoms for the Chemistry institute, and finally the Caise des Depôts in Marseilles. Menard's art allies a rigorous, clear classicism with a diffuse and dreamlike brushwork. In 1894, Victor Shoe wrote of Menard in l' Art et la Vie (Art and Life): "visions of a pacified, bathed nature, of dawn and of twilight, where the soul seems to immerse itself in the innocence of daybreak, and breathe the divine anointment that comes with the dawn."
Circle of Mateo Cerezo the Younger
painted Immaculate Virgin, formerly in the Chapel of Palacio de Penaranda, Spain in 17th century
Pier Francesco Guala
(15 September 1698 - 27 February 1757), also known as Pierfrancesco and Pietro Francesco, was an eighteenth-century Italian painter active for the most part in the region of his place of birth, Casale Monferrato. Guala was the seventh of eight siblings of whom only he and a sister survived infancy. His mother died when he was five and he was brought up by his father, Lorenzo, who himself was a painter and perhaps related to the architect Sebastiano Guala. Pier Francesco Guala died in Milan on 27 February 1757.






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